Monday, 31 May 2010

womb & tomb



On the top left : Mother Kali,
Hindu goddess from India,
womb and tomb,
she creates and destroys worlds,
female, black, time,
standing on the body of Shiva.
Kali, Tara, Shodashi, Bhuvaneshvari, Bhairavi,
Chhinnamasta, Dhumavati, Bagalamukhi, Matangi, and Kamala.

Friday, 28 May 2010

order & chaos



Two journal-drawings from July 2008.
The first line drawn on a white sheet of paper damages, attacks and destroys the white paper.
The paper destroyed the tree.
Creating is destroying, bluntly said.
Every construction is damaging the earlier state.
Making and creating is in the same time damaging and destroying. This is a conclusion after one year of Surface Research.

Surface Research Results Exhibition # 2

Monday May 31 2010 / 12:00 - 19:00 h
Tuesday June 1 2010 / 17:00 - 21:00 h
Wednesday June 2 2010 / 12:00 - 19:00 h
Thursday June 3 2010 / 9:00 - 14:00 h

Pavilion Gerrit Rietveld Academie
Fred Roeskestraat 96
1076 ED Amsterdam

Thursday, 27 May 2010

exhibition pavilion



To create exhibition walls for drawings in the Rietveld Pavilion, which is from glass and one brick wall, I made a sketch to build 7 panels in the Pavilion. It is already build, therefore "l'acrochage des oeuvres" is the next step.

Come and see, next week, INVITATION :

Surface Research Results Exhibition # 2

Monday May 31 2010 / 12:00 - 19:00 h
Tuesday June 1 2010 / 17:00 - 21:00 h
Wednesday June 2 2010 / 12:00 - 19:00 h
Thursday June 3 2010 / 9:00 - 14:00 h

Pavilion Gerrit Rietveld Academie
Fred Roeskestraat 96
1076 ED Amsterdam

Tuesday, 25 May 2010

invitation




INVITATION
Surface Research Results Exhibition # 2

Monday May 31 2010 / 12:00 - 19:00 h
Tuesday June 1 2010 / 17:00 - 21:00 h
Wednesday June 2 2010 / 12:00 - 19:00 h
Thursday June 3 2010 / 9:00 - 14:00 h

Pavilion Gerrit Rietveld Academie
Fred Roeskestraat 96
1076 ED Amsterdam

Sincerely, Henri Jacobs.

Thursday, 20 May 2010

anxiety & anger, ugliness, etcetera



A quotation from Dario Gamboni's book "the destruction of art, iconoclasm and vandalism since the French revolution":
"(...) the essential link that modern psychologists have tended to establish between destructiveness and creativity has gained in modern art an imprecedented visibility and importance, in direct relation to its "iconoclasm". In the 1930's Picasso emphasized this dramatic change to Christian Zervos on the level of the modus operandum: "Previously, pictures advanced to their end by progression. Each day brought something new. A picture was a sum of additions. With me, a picture is a sum of destructions".

Wednesday, 19 May 2010

new surface with fertilised soil



To get grip on the matter of art and destruction I would like to start up a new cycle of palimpsest drawings. The photo shows a drawing on Epson photo paper with the proportions of the golden ratio. The triangle of Kepler is drawn and with a small letter template letters which form words are sown to fertilise the surface.
To do some theoretical study on the subject this afternoon I have to go to the library of the Rijks Academy in Amsterdam. To borrow the book "the destruction of art" by Dario Gamboni.

Tuesday, 18 May 2010

the destruction of art



Barnett Newman's "who is afraid..." and "cathedra" both cut up in the Stedelijk Museum Amsterdam some time ago.
The destruction of art & the art of destruction aren't two sides of the same coin. Trying to evoke the destructive element in creating art is difficult. Creating drawings is a quite positive act and perhaps a positive belief. It can be done with negative feelings like being bored, feeling ugly, stupid, lazy, ill, sad and mad. Working with destruction is a sentiment difficult to make clear. Destruction as part of creating new drawings. Violence and vandalism should be part of the final drawing. Soon I expect to make it clear.

Monday, 17 May 2010

encore trois semaines



Within three weeks my Surface Research project has had it's first year. Much too short and it passed away like a cigarette in smoke. Fast, pleased with the prospect but finally dissatisfying when the end is near. Why? Because many questions aren't answered, the subject of the destructive element in creating art pieces isn't yet clear to me. The palimpsests and the specific texts used in the palimpsests were a start that dealt with construction and destruction. Precise construction by drawing the texts in grids using a ruler and compasses, well kept in hand destruction by scratching out the texts with a cutter.
After that I made a step backwards by working with specific conditions of a surface which is going to be used for drawings. It was necessary that dimensions had a reason and that is why I worked with the Golden Ratio and the Triangle of Kepler. Again many possibilities in drawings and the destruction of the drawings has been invested.
In the final three weeks I am going to make some new "destructed" drawings to complete the exhibition I am planning for Monday May 31 till Thursday June 3 in the Rietveld pavilion.

Invitation card will be posted soon on this blog.

Thursday, 22 April 2010

construction and destruction again





To destroy, to demolish, to annihilate, to damage is necessary to conquer the despair of being locked up in boring and stupid old problems. Creating drawings or paintings is a fight with yourself against the inner stupidity, laziness and boredom. In the battle of an idea and its materialization something has to be overcome by destroying the well known solutions already used before.
Mondriaan's quote: "I think the destructive element is very much neglected in art" is difficult to understand because his oeuvre looks so logic, solid and form from a steady evolution. But he had to conquer his own figurative work by destroying the figurative image to reach abstraction. And in his abstract paintings he was in a fight with the black lines. Although painters used coloured lines in abstract compositions before, Mondriaan had to go a long route to "destroy" the black lines in his own paintings. By painting again and again inventive compositions with quite radical decisions where to place the lines. It was a long and essential process, or a heavy fight, somewhere in the intuition of the artist to be able to paint coloured lines. He was looking into a deep black darkness, a presumption of possibilities with his visual idiom. But the battle is never won, the feeling to have to destruct the darlings which delivered such good results is manifest.



Drawing and erasing it, leaving traces, the strong notion it isn't the desired effect, so again destruction by scratching the drawing is the best thing to do. It is a well kept in hand battle. Destruction and construction are on a bascule, no running of the rails, no panicking, steered by intuition and belief. A belief without any religion, the belief in a disenchanted world.

Wednesday, 21 April 2010

destruction & construction summary



Nine different states of the same drawing, the final state is the first image here above. While drawing today during the workshop we talked about construction and destruction. We tried to understand Piet Mondriaan's quote: "I think the destructive element is very much neglected in art". And that is why we made drawings by drawing a construction that had to be destructed afterwards. Tomorrow I am going to write more about this subject. So see you...















Tuesday, 20 April 2010

to destruct & to construct



The drawing which ended yesterday's item about construction & destruction.The eight photo's herewith are from the same drawing. The destruction "evolutes" and finally the drawing has disappeared enough so a new drawing can overwrite the destructed surface.













Monday, 19 April 2010

creation & destruction



First state of Thursday April 8. Seven states of the same drawing are shown here, because I would like to show creation and destruction. To be continued tomorrow...













On a sheet of paper with proportions of the golden ratio I constructed with diagonals, cross points, horizontal lines, vertical lines and lines drawn with the compasses a web that is very dense.
It is possible to accentuate a pattern in the web, or to draw a composition with the web of guide lines. Foreseeing it is going to be a composition for destruction. By scratching it out with hatch lines all over.
Afterwards I want to try to start a new drawing over the destructed drawing. In one day : construction - destruction & construction again.

According to Piet Mondriaan : "I think the destructive element is very much neglected in art".